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Let’s all put aside our preconceived notions and take a critical look at Suda51’s latest effort.

Misogyny. It’s a word that’s been thrown around in tandem with Killer is Dead since the fated Gigolo Mode was first revealed. However, creator Grasshopper Manufacture has gotten a raw deal. This tongue-in-cheek mode (that only features two unique encounters) has thrown the stars completely out of alignment for the studio and the game at large. The fact of the matter is, Killer is Dead is quite similar to Suda51’s past works. Combining the frantic action of No More Heroes with the third person shooting from Shadows of the Damned and the darker atmosphere offered by Killer7, Killer is Dead is a fantastic fusion of some of Suda51’s oeuvre. The cryptic narrative that undercuts the experience further accentuates the charm of this excellent action game.

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Don't tell this cheerleader that zombies are overexposed.

Suda 51 has never produced what one would call a ‘normal’ game.  Pairing odd subject manner with hyper-stylized aesthetic in games like Killer 7, No More Heroes and Shadows of the Damned, the fruits of the famed developer’s labor have struggled to find any kind of sizable audience.  Perhaps it makes sense then that Suda’s next game, Lollipop Chainsaw, while sporting a strange title and a concept that may still be considered a departure from the norm, is his most mainstream title yet.

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