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Holy crap, it's Ryan Scott!

Welcome to the last episode of Nerds Without Pants for 2018! It’s been a heck of a year, and we’re closing things out with our biggest guest to date: none other than Ryan Scott of The Geekbox and The Comedy Button! So strap in, because it’s time for our annual breakdown of the video game industry that we like to call the State of the Generation podcast.

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Spin-off? Remake? Soft reboot?

After playing Pokemon Let’s Go Pikachu, I am convinced that Game Freak is incapable of dropping the ball (pun not intended). Everything about the new title convinced me that something had to go wrong. It’s a remake of Pokemon Yellow, a rehash of Red and Blue Versions (which already received remakes fourteen years ago). In addition, it’s incorporating the more shallow catching mechanics from the free to play Pokemon Go on mobile, usually the kiss of death a console game. On top of that, Nintendo has admitted it is a cash grab, as they wanted a Pokemon game on the Switch without rushing the true sequel. And yet, not only is Pokemon Let’s Go just as fun and addicting as the core titles, but I now I want Let’s Go sequels for every other Pokemon generation.

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I'm starting to learn that breakneck speeds just mean more devastating crashes.

There’s something imminently attractive about Grip. Between its sharp visuals, thumping soundtrack, and high speed intense racing, it’s easy to be drawn in, even from just viewing its trailer. When you do finally sit down to play it, the experience proves to be equal parts frustrating and fun. For every brilliant and unique aspect of Grip, there’s some negative measure to offset it.

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If Seltzer and Friedberg made a game.

For all the retro-inspired indie titles out there, the genre seems mostly earnest, even deferent. There may be a small jab, such as Bloodstained: Curse of the Moon regulating the whip to a sub weapon, yet these are smaller details as opposed to poking fun at the original retro titles. Granted, the goofy nature of many retro games renders parody harder to accomplish, as even Shovel Knight feels like it could have once been an earnestly made game from the '80s or '90s. Enter Old School Musical, a rhythm game which pokes fun at an entire smorgasbord of games.

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For once, bards are cool!

At first pass, you may mistake Wandersong for a game about a bard who’s trying to save the world. I wouldn’t blame you, because while that is what it seems on the surface, more importantly Wandersong is a game about emotions and relationships. It’s about conquering your fears and adversity, doing what’s right even when everyone else is telling you it’s wrong. It’s about leaning on your friends when you can’t do something by yourself, and yes, it’s about singing your heart out even when nobody wants to hear you.

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