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#Ode
The plot thickens.
Something about the atmosphere surrounding Telltale’s The Wolf Among Us has been a huge draw to me. The dark and twisted story surrounding some of history’s most endearing fairy tales makes for some really interesting narratives, because of our ingrown attachment to these characters. Episode 1, “Faith,” set a great precedent for episodes to come and Episode 2, “Smoke and Mirrors,” continues to build on that foundation.
Clementine definitely needs a hug.
Season Two of Telltale’s the Walking Dead pulls no punches with its first episode. Within minutes, I was reminded that the universe of The Walking Dead is no joke. I was happy that the narrative is strong: an extremely gripping tale filled with a lot of memorable moments and even more memorable characters. The gameplay is also much improved, though technically, the experience leaves something to be desired on Xbox 360.
Let’s all put aside our preconceived notions and take a critical look at Suda51’s latest effort.
Misogyny. It’s a word that’s been thrown around in tandem with Killer is Dead since the fated Gigolo Mode was first revealed. However, creator Grasshopper Manufacture has gotten a raw deal. This tongue-in-cheek mode (that only features two unique encounters) has thrown the stars completely out of alignment for the studio and the game at large. The fact of the matter is, Killer is Dead is quite similar to Suda51’s past works. Combining the frantic action of No More Heroes with the third person shooting from Shadows of the Damned and the darker atmosphere offered by Killer7, Killer is Dead is a fantastic fusion of some of Suda51’s oeuvre. The cryptic narrative that undercuts the experience further accentuates the charm of this excellent action game.
